NBA, Change the Jump Ball Rule

I’m not talking about the opening tip – just in-game jumps.

A few months ago I argued shots beyond half court should not count as field goals attempted as a way to straighten curbed statistics. My only other qualm with NBA rules is the situation asked of players in mid-game jump ball situations.

As current rules dictate, if Player A gets tied up with Player B (both have “possession”), the whistle is blown and both players tip off at the circle nearest where the whistle blew. The ref throws the ball up and both try to tip it to their team.

But if I’m 5’10 and induce a jump ball with 7’1″ Dikembe Mutombo, I get to try and out jump this guy:

Might as well not have even played defense. Mutombo wouldn’t have to even jump against most players under ~6’3″~.

Us vertically challenged people want fair rights! This is an outrage!

If you’re not going to use college basketball’s possession arrow, let teams choose their tallest player on the court for mid-game jump balls. If I get tied up with Shaquille O’Neal, let my buddy Yao Ming try to win the tip – this way most accurately rewards a good defensive play.

One more issue: When a jump ball is called with less than five seconds on the shot clock, the clock resets to five seconds. If I’m playing great defense and induce a jump ball with one second on the shot clock – when if I didn’t play defense it would most likely result in a bad shot or shot clock violation – the offensive team has now a 50:50 chance (on the jump ball) to get off a clean shot, as I feel five seconds is enough time to do so.

This rare, but possible situation puts defenders in the awkward position of “Should I play my best defense right now,” a thought that, morally, should never to enter a player’s head in any sport.

Instead of resetting the shot clock to five seconds, add two seconds to whatever the shot clock read at the whistle. Give the ball those seconds to find its possesser and go from there.

In summary:
Let teams choose which player jumps for possession
Abandon the five-second rule and replace it with a +2 second rule

A month ago I voiced my displeasure on how many players refuse to throw up prayers in the final seconds of quarters as a way to strengthen statistics. Commissioner Stern, don’t be so stern. Adjust for changes that positively affect the game. Tweak the jump ball rule and don’t count shots beyond half court as field goals attempted.

House, Dubstep, EDM – Why Krewella is Ready to Explode

Of the eight house artists that performed at last September’s Glowfest in West Virginia, Krewella took my personal first prize. Consisting of two girls and a fella, the girl and guy mix on the table while the final female brings a strong, appropriate voice coupled with her high-energy stage presence.

Out of Chicago, Krewella’s most popular single is Alive (listen here) off their debut EP Play Hard. I can best describe their style as comfortable house music with a nice kick of energy. As for Alive, I ask you to listen from 1:00-2:15. If you can get through the drop without at least bobbing your head, dismiss this post and enjoy the rest of your day.

Krewella has the “it” factor. For those familiar with this blog, you’ll know music isn’t my area of expertise, so unfortunately this band review will come chock full of subjectives and take-my-word-for-its, but something about this trio gets me more pumped than any other artist the genre. In my life there are four bands/artists who, no matter how rainy the day, that can temporarily make me forget about anything – Eminem, Blink-182, Incubus, and Krewella.

Any other Incubus fans out there? I’m drawn to them in part due to their unique versatility. Compare their ’99 hit single Drive (listen here) to their ’97 hard, distorted song A Certain Shade of Green (listen here).

To a lesser extent, that’s what Krewella offers with the extremes of dubstep and house. Compare Alive with Krewella’s dubstep song Fire Hive with Knife Party (listen here). If Alive is a martini double, Fire Hive is a whiskey triple. So *WARNING*, Fire Hive is hard, but it will wake you up.

Again, I don’t know why, but something tells me Krewella is set to explode. They come at a perfect transitional period where the moral-lacking, shallow world of Hip-Hop music is dying out of the mainstream replaced with this modern techno headed by those like Swedish House Mafia, David Guetta, Avicii, and others.

*I’m not hating on hip-hop. A lot of people are quick to criticize the genre but there is talent in hip-hop, I just feel it has been poorly represented since the turn of the millennium*

So get ready to hear the Chicago natives on radio stations. If they do get get big, we can all say we were there first.

Krewella will be playing at The Pool at Harrah’s in Atlantic City this Wednesday, the 20th.  Tickets are only $15 as the $10 ones have sold out. Damn right I’ll be there. Love ya to join me. It’s gonna be crazy.